Criticism: Homely Feelings on a Shattered Land: the Politics of Boredom in Toshiki Okada’s ERASER MOUNTAIN
Criticism：In the Wake：the Ghostly Matters in CERTER STAGE
Criticism:Disidentifying the body: the indefinite disability in Single Copy
Criticism：The poeticality of Pema Tseden’s films
Criticism：Forging film, performing identity
Criticism: the Goodness of a Female Ghost
Criticism：Why Liang Ching has to be an actress?
Criticism：Pyaasa: a Bombay popular film which is more than “social”
Criticism:Longing to escape: Modernity experience in Late Spring
Criticism:Ways of being seen: Mirroring aspiration or interpellation?