Criticism：Forging film, performing identity
Criticism：The poeticality of Pema Tseden’s films
Criticism: the Goodness of a Female Ghost
Criticism：Pyaasa: a Bombay popular film which is more than “social”
Criticism：Why Liang Ching has to be an actress?
Criticism:Ways of being seen: Mirroring aspiration or interpellation?
Criticism:Longing to escape: Modernity experience in Late Spring